![]() "Five of the Internet's eeriest, unsolved mysteries". Jitterbugging McKinley Abe break Newtonian inferring caw update Cohen air collaborate rue sportswriting rococo invocate tousle shadflower Debby Stirling pathogenesis escritoire adventitious novo ITT most chairperson Dwight Hertzog different pinpoint dunk McKinley pendant firelight Uranus episodic medicine ditty craggy flogging variac brotherhood Webb impromptu file countenance inheritance cohesion refrigerate morphine napkin inland Janeiro nameable yearbook hark See also This seemingly nonsensical message was posted to the board "-church" in 1996: The same article notes that YouTuber Barely Sociable made a video about this topic in 2020, opining that the messages were most likely simple spam with no hidden message. Club proposes the event only became a mystery due to later media coverage, having not been widely reported prior to the 2012 Daily Dot article. Ī later article on the subject published by The A.V. Proposed explanations for the texts include an early experimental chat bot or text generator, an internet troll or prankster posting forum spam, or a programmer experimenting with Markov chains. The Daily Dot article covering the event states that an e-mail account belonging to a University of Wisconsin at Stevens Point student coincidentally named Susan Lindauer was spoofed to cover the identity of the poster. In 2016, Susan Lindauer was mistakenly identified as a possible source of these posts when contacted, she denied being the author. It has also been described as "one of the first great mysteries of the internet". In 2012, Kevin Morris of The Daily Dot referred to the messages as "the Internet’s oldest and weirdest mystery". The posts are often mentioned in conjunction with other bizarre and/or unsolved internet mysteries, such as Sad Satan, Cicada 3301, the Publius Enigma, and Unfavorable Semicircle. The messages, which appear to be gibberish, were all posted with the subject line "Markovian parallax denigrate". You’re welcome.Markovian Parallax Denigrate is a series of hundreds of messages posted to Usenet in 1996. The woman in “Hotel Cecil” may also be trying to bust out of a tomb, but in a chorus catchier than Omicron Libby informs us “there’s no goddamn way she could ever lift that door herself.” You’ll have plenty of time to ponder that mystery as this ear worm slowly eats your brain. I know what “Buried Alive” is about (it’s self-explanatory), but how a song with such a dark subject can be, alternately, so dreamy, jaunty, and soaring is beyond me. Winter draws from a very deep bag: rock, jazz, classical, lounge, Broadway, Hollywood, saloon music, pop. Even though guitar maestro Doug Porter (Covered in Bees, Confusatron) is in this band (along with bassist David Joy, late of Sunrunner, and drummer Adam Cogswell, also of the ’tron), Winter’s playing defines these songs, and vies solely with Libby, who sounds like David Bowie’s lower register on a bender, for sonic dominance. We can blame Erik Winter (formerly of The Horror), the mad genius at the keyboard. ![]() Hell, Portland indie-pop queen Renée Coolbrith sings on this thing! There’s cello and violin on these recordings, courtesy of Devon Coletta and Sarah Mueller, respectively. Yet it’s chock full of hooks filthy with ’em, actually. It’s a dark, brooding, in places downright disturbing collection of four strangely beautiful songs, the first of three installments in Cremains’ new project, Tragic At Best (the next two are expected later this year). Of course, no pop station would dare to play Buried Alive. The meaning is obscure, but the hook is tremendous, as catchy as anything blasting on Portland’s “hit” radio station these days. Insurgence is grown in future R.O.M.,” Sean Libby croons on the chorus of that track. ![]() ![]() “Blasphemy!” you say? “How can a supergroup comprised of five of the heaviest metalheads in town make a pop record?” I have no idea, and yet here I am walking around with a song called “Markovian Parallax Denigrate” stuck in my head. It’s been almost seven years since Johnny Cremains dropped their sophomore album, Hollywoodland, so maybe I just forgot the fact that struck me as a shocking revelation upon hearing their new EP, Buried Alive: this is pop music.
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